To the Last Man: The Home Guard in War & Popular Culture
(eBook)

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Published
Pen & Sword Books, 2019.
Format
eBook
ISBN
9781526745941
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Malcolm Atkin., & Malcolm Atkin|AUTHOR. (2019). To the Last Man: The Home Guard in War & Popular Culture . Pen & Sword Books.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Malcolm Atkin and Malcolm Atkin|AUTHOR. 2019. To the Last Man: The Home Guard in War & Popular Culture. Pen & Sword Books.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Malcolm Atkin and Malcolm Atkin|AUTHOR. To the Last Man: The Home Guard in War & Popular Culture Pen & Sword Books, 2019.

MLA Citation, 9th Edition (style guide)

Malcolm Atkin, and Malcolm Atkin|AUTHOR. To the Last Man: The Home Guard in War & Popular Culture Pen & Sword Books, 2019.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID412bbec3-a711-4da8-5ed2-289ae6f13910-eng
Full titleto the last man the home guard in war and popular culture
Authoratkin malcolm
Grouping Categorybook
Last Update2024-02-02 10:20:32AM
Last Indexed2024-04-18 03:29:31AM

Book Cover Information

Image Sourcehoopla
First LoadedMay 23, 2023
Borrowed OnJul 21, 2023

Hoopla Extract Information

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    [synopsis] => The Home Guard was formed in 1940 to fight an uncompromising and essentially suicidal campaign that was to buy a few hours grace for the regular forces to regroup after a German invasion. But the Dad's Army TV series has led to a serious distortion in the perception of the Home Guard and, as Malcolm Atkin reveals in this thought-provoking and meticulously researched book, its image was manipulated from its earliest days. Using official documents, contemporary histories, stories, artwork and poetry, and comparing these with postwar films and histories, he takes a unique perspective. He explores how the myths of the Home Guard arose and were exploited by official propaganda and the wartime and postwar media. He also shows how the strong sense of gallows-humor amongst its volunteers — which fits in with a long tradition of self-deprecating humor in the British army — was taken out of context and became the basis of the TV series. To the Last Man strips back the myths and forensically analyses how the modern perception has evolved. The result is a new, gritty, sometimes shocking, appreciation of the role that the Home Guard was expected to play in the Second World War.
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