Face at the Bottom of the World and Other Poems
(eBook)

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Published
Tuttle Publishing, 2008.
Format
eBook
ISBN
9781462912674
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Hagiwara Sakutaro., & Hagiwara Sakutaro|AUTHOR. (2008). Face at the Bottom of the World and Other Poems . Tuttle Publishing.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Hagiwara Sakutaro and Hagiwara Sakutaro|AUTHOR. 2008. Face At the Bottom of the World and Other Poems. Tuttle Publishing.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Hagiwara Sakutaro and Hagiwara Sakutaro|AUTHOR. Face At the Bottom of the World and Other Poems Tuttle Publishing, 2008.

MLA Citation, 9th Edition (style guide)

Hagiwara Sakutaro, and Hagiwara Sakutaro|AUTHOR. Face At the Bottom of the World and Other Poems Tuttle Publishing, 2008.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDb795f655-b725-541f-a226-e6dbb3de55f3-eng
Full titleface at the bottom of the world and other
Authorsakutaro hagiwara
Grouping Categorybook
Last Update2024-02-02 10:20:32AM
Last Indexed2024-05-04 06:25:02AM

Book Cover Information

Image Sourcehoopla
First LoadedMay 4, 2023
Borrowed OnJan 19, 2024

Hoopla Extract Information

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    [synopsis] => Face at the Bottom of the World and Other Poems is a collection of Japanese poetry by master poet, Hagiwara Sakutaro. Hagiwara Sakutaro (1886-1942) is generally recognized in Japan as the best poet to have emerged since contact was re-established with the outside world. His work represents the astonishing achievement in the poetic field of General Meiji endeavor to blend "Western learning with the Japanese spirit." He and perhaps he alone, have successfully combined the lyric intensity characteristic of the short forms of traditional Japanese poetry with the freedom of length, form and rhythm which characterizes the poetry of the West. In him East and West, despite Kipling's dictum, have indeed met; and from him the future poets of both traditions have much to learn. For all the startling beauty and originality of his work, Hagiwara remains a poet of the dark. Shiveringly sensitive to loveliness in all its million modes, he finds it not only in its familiar haunts but even in such unexpected subjects as rotten calm or the dead body of an alcoholic. A man intensely aware that the sun, that symbol of Japan, rises as much to cast shadows as to give light.
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